Monday, October 28, 2019

What's Cooking in the Studio?



 I'm busy constructing some new stretchers to paint on this winter. While making this batch, I am video-taping the process and will share it on my website. The video will show the process from gluing the wood together, cutting the wood, assembling the stretcher, wrapping with canvas and priming with oil ground. It will be fun to see the final video and share it with everyone.

Monday, October 21, 2019

What's Cooking in the Studio?



I built a still life table. What is a still life table, you may ask? It is a rolling table on which I can construct still-lifes for painting and drawing. As my food paintings are evolving to be more staged still-life paintings, it is helpful to have a ready table dedicated to this effort. It will also be able to be moved out of the way for sales and other reasons. I am also looking at using this table as a way to teach drawing. These classes will be available in January. I'm very excited about where these are heading and can't wait to share this new development with you. And I already had everything I needed to make this table in my workshop or studio. All it took was a little time.

Friday, October 18, 2019

Next Exhibit


New Landscapes
February 28 - April 5, 2020
The Phipps Center for the Arts, Hudson, WI

Artist's Reception: March 6, 6:30 - 8:30 pm
New landscape paintings will be on display in Gallery 1. I'm excited to make a whole bunch of new paintings for this show.

Wednesday, October 16, 2019

Voiceless Thoughts

It is Fall, which I love. But it is also flu season. I had the flu last week and It has gone away - except for the laryngitis. Many people this year had the flu accompanied with laryngitis. It has been many years (20?) since I have had laryngitis.
Here are my thoughts on my recent experience:
- Laryngitis is a different thing when you have a dog. I walk my dog, Delilah, off-leash in a wide grassy area along a cemetery. She always listens to me, when she can hear me. I will call her, “Come here.” But last week it came out as “k-h-.” She didn’t seem to hear me. Actually, with those big floppy ears, I think she heard me just fine. She was just taking the opportunity to have some “me” time.
- It was strange to spend a couple days with no sound coming out of my mouth and then to whistle for my dog. The whistle, not dependent at all on my voicebox, came out clear and strong. It kinda scared me. I spent the rest of the walk whistling, happy to make any kinda noise. I’m a better whistler than singer, so it was fun to feel musical.
- Not only does Delilah understand many words, she also understands my squirrel noises, finger snapping and thigh slapping. She is a very conversant dog.
- People are very kind when you have laryngitis. When trying to order food or anything else, people are very understanding and patient. This is not so on the phone.
- The phone is too hard. People can’t see my lips moving or my body language. Of course, my throat can feel just fine, but when it comes time to actually talk on the phone every sense of good goes away when I open my mouth. There was nothing but panic, restriction, and gasping.
 
- I used to play around with animation and, in so doing, learned that most letter sounds are formed in just a few ways: we place our tongue behind our teeth (letters d, t, j, soft g, etc.), we place our teeth over our bottom lip (letters f and v), put our lips together (m, n, b, p), and put our tongue between our teeth (L, Th). This week, walking my dog and practicing what noises I can and cannot make, I realized that some letter noises I could make rather plainly, like "s" and "t." This made it easy to tell my dog to sit. Although there was no "i" in the word, she knew what I meant. As I thought about these things more, I realized that vowels are different from consonants because you don’t use your tongue, lips or teeth to make vowel sounds. Vowels are done with an open mouth. We simply control our voicebox and the overall shape of the mouth to make the different vowel sounds. Is the physical manner in which we can make these noises the reason that consonants are separate from vowels? I love it when something cultural is derived from the physicality of an activity.
- Practicing my lack of talking while walking my dog, I also noticed that vowels are the only letters that have two unique sounds, the long and short form – note vs. not. There are other letters, (c and g) that can be pronounced two ways, but “c” sounds like either an “s” or “k”, while a hard “g” does have its own unique sound, the soft “g” is just another way of sounding like a “j.”

Although I am very happy to be getting my voice back, I enjoyed being quiet. I turned off my phone because answering it was futile and frustrating. This led to quiet evenings with an undistracted mind, an enjoyment and focus on what was at hand. I was able to clean the house, make some art, play a little more with Delilah and think about things. I might have to schedule some "Laryngitis Days" into my calendar.

Monday, October 14, 2019

What's Cooking in the Studio?


I've been focusing on one painting my last several sessions. This is unusual for me. I generally have two or more paintings going. I am enjoying the process of making this painting. I originally wanted to do a more abstract painting based on the landscape, but the imagery kept coming back to a more realistic interpretation. One little mantra of mine is: "you gotta follow the painting." That is what I have been doing with this piece  When I think I should approach the painting in a certain way I shut up and sit quiet. Then I let my eyes and heart do the work and soon the painting is going in a new direction with a new paint handling. So far, things seem like they will hang together. But that is the adventure, isn't it? When I am done I will have a new friend, or maybe a frienemy. .

Thursday, October 10, 2019

Saint Paul Art Crawl


Saint Paul Art Crawl
October 11 - 13, 2019
My studio will be open during the Saint Paul Art Crawl
Friday evening from 6 - 9pm
Saturday, 10 am - 4 pm
Sunday: 10am - 4pm
I will have all kinds of paintings, including botanicals. I will also have tote bags, greeting cards and some prints available. Wish me a happy birthday on Saturday and receive a free greeting card, while they last.
Mention that you are  a newsletter recipient and receive 20% off any purchase. To sign up for my newsletter, go to my website: www.markgranlund.com.

Friday, October 4, 2019

Art - It Makes you Happier, Smarter and More Attractive

On my Facebook Page, over the years, I have been sharing articles about how art improves life – it makes you happier, smarter, more attractive, etc. In my last newsletter I mentioned that I process my life experience while painting. So, I thought I would elaborate on that statement and how art improves my life.

I feel that art is a form of cognitive therapy that helps me to make life decisions. The act of painting is an endless series of decisions: should it be yellower or greener, warm or cool, straighter or more curved, etc. Every action is a decision based on previous decisions. This decision-making process is focused and in the moment.

I, like most people, have two tracks in their brain. One track is focused on a task in the moment while another track is open for ideas and such to flit through. For example, this is like when you are folding your laundry but thinking about something else. At times, activities need full attention but much of the time, as when doing simple tasks like folding laundry, the other track is free to wander and bring disparate things into consciousness.

When I paint, I deliberately am open to this second track. There are several reasons for this: the second track freely responds to my art and guides me, it allows me to connect disparate ideas, and it helps me to reflect on life experiences.

As an artist, I want my colors and imagery to trigger a response in the viewer. Art works best when people bring their own responses and their own meanings to the work. While my first track is focused on making straight lines, consistent paint handling and the like, my second track is subjectively viewing the work. If a paint stroke, color or object triggers a response in me I am pretty sure that it will trigger a response in other viewers. I can’t control their response, but I can make sure my art is something that creates a response. I am focused on the craft, but it is the second track that helps my work become art that effects the viewer.

I am open to my second track for its associations and pattern recognition. As part of my brain is planning and painting, my second track is making associations about the imagery and the paint handling. These ideas and connections float through freely. If one particularly strikes me, it will influence my painting. I don’t judge the associations they are all born of my life experiences and these connections are made for a reason. Sometimes it takes time to figure out why something popped in my brain, but its okay if I don’t understand at first. It is the second track that makes those creative leaps that give particular paintings a twist in perspective and, again, create a response in the viewer.

This is the process I use to create art that has a strong underpinning and that will get a response from the viewer. It is a process of holding both the reasoned objective view of craft and the felt subjective response to the making as equal – in tandem.

So, how does this process make one happier, smarter and more attractive? When painting, my second track is already primed to be figuring out patterns and responding to input in my art. It is rather easy for it to flip over to looking for patterns and responding to life situations. When the painting I am creating doesn’t require as much attention, my second track just continues its process, applying it to whatever else is going through my head. It is here that my brain will make those leaps to new evaluations of what had happened previously in my life and new realizations for the future. Through this process I do become happier, smarter and...well.

I find that having a practice of painting leads to a practice of self-evaluation because both are based on recognizing patterns, energy and flow while responding to what is happening in the moment.

Wednesday, October 2, 2019

What's Cooking in the Studio - September 2019


I was up at Mallard Island for eight days at the end of the August and spent time there gathering resources for more paintings. I packed my gouache paints with the intention of getting some painting done. But, with my need to still rest and heal from my eye surgeries and to recover from a very busy and successful month, I mostly hung out and took naps and ate great food and laughed with others and cooked dinner with a good friend and talked about art and life and kayaked and …