2021 Partnership - Jeffrey Ryan, Author

 

2020 was such an isolating year that I decided to try to partner with a couple people on projects this year. Throughout this year I will be working with Jeffrey Ryan, author and filmmaker, on a book and film about Ernest C. Oberholtzer. Jeff has been writing books about the Wilderness Society and it’s founding members. Ober was one of them. Jeff and I met up on Ober’s island, Mallard Island, a few years ago. He spent a week on the island researching Ober while I was a caretaker. We kept in touch over the years and decided last year to work on a project together. Soon, the idea of a book and short film about Ober emerged and, with the help of Beth Waterhouse the Oberholtzer Foundation ED, we submitted a grant to fund the endeavor. Sadly, we didn’t get the grant. Happily, we have decided to move ahead anyway. This summer, Jeff and I will be making another trip to Ober’s beloved Mallard to spend a week researching for the project. There also will be a trip to Ober’s childhood home of Davenport, Iowa and maybe another trip or two to the Superior National Forest, Voyageurs National Park and elsewhere. Why Ober? Ernest C. Oberholtzer was the person most responsible for setting aside the land in Northern Minnesota to become national parks and the Boundary Water Canoe Wilderness Area. This project will focus on the development of Oberholtzer's own views on nature and how that led to his interactions with others and, eventually, his legacy of establishing parks along the Minnesota/Canada border. In this era of climate change and threats to the BWCWA there is a need for recognizing Minnesota's own effective visionaries for preserving the earth, to be guides as we try to move forward into this unknown future. Ernest C. Oberholtzer is that Minnesota visionary. Although Oberholtzer canoed thousands of miles throughout northern Minnesota and Canada, taught many people to live off and respect the land, integrated with the local Ojibway communities, lobbied Congress, worked with high-profile law firms and was a founding member of the Wilderness Society, the general public knows little about him. This project will introduce many in the general public to Ober, his vision and his legacy and provide an example of how to move forward in relationship to nature. My role will be focused on the visual aspects of the project. From doing research in the foundation's archives to creating art that supports the narrative, I will help craft the integration of Ober's love of the arts into the project while using the imagery to move the viewer through the journey shared.

Fr-fr-freezing

 

I am in a quandary about the direction of my art activities. I have too many things to do. Too many opportunities.

It has been a strange year in that there has been a world-wide pandemic, people have stayed home and the economy shut down. I, at first, enjoyed the isolation and got to work on my art. I continued to have exhibits, even if few viewed them. But lately, the isolation has been felt and I have been looking for opportunities to reach out to others. And now here I am with too much on my plate.

I have two galleries where I hang my work. The one gallery seems to sell just about anything I give them (Gallery 360) and I am busy trying to keep them supplied.

To counter the isolation of the pandemic, I have tried to partner on projects with a few people and now have a film and book project to work on that will take the whole year.

Although I have done little to nothing advertising art lessons, I now have five real people wanting classes and about one new person a week inquiring.

I am presently working on a commission and have two potential commissions in the pipeline.

Then there are new directions I want to go with my art, like start to paint figures, have an online auction of small works and start to figure out a new method for making large-scale block prints.

All this while having a full time job that is starting to interact more with other artists and, as a result, is becoming more fun and engaging.

But this is too much. I don’t have the time or energy to do all of this. Each opportunity has, at its core, something that I am interested in.

I can’t complain because I know there are many who have had opportunities dry up in the last year. But, sometimes in these types of situations I freeze up, I end up procrastinating as a form of rebellion against my need to make decisions. If I pursue any of these avenues, my mind sees them as potentially being profitable for the next five to ten years. That is a commitment. In the negative, its a prison. In the positive, they all are good opportunities that can lead to even better things.

So much to do, yet I haven’t painted anything in a week. I have been making stretchers, which is a pretty good excuse to spend a little time in the studio and then leave because of the smell of the oil ground. The cold weather also makes it easy to snuggle up in my house and not walk out to the studio, which isn’t heated quite well enough to take off the chill when it is below 0⁰.

So, I freeze. I stop moving. In actuality, I stop being in the present with my self. Sometimes people comment on my productivity, but the actual thing is that I spend a lot of time in the present with myself. I just do naturally what seems innate and that results in something. Others see those results and call that productivity. I just see it as being. I do understand the need to rest, relax, and focus on other aspects of life. But at times like this, those things all start seeming like a pile of activities on top of everything else. I start to lose myself in the avalanche of possibilities. My muscles start to tighten. I freeze. I freeze like a Minnesota February night.